Today, with new alloys, engines, fuels, computers and technology, it would be safer and cheaper - but we have lost the will.
"Apollo 13" never really states its theme, except perhaps in one sentence of narration at the end, but the whole film is suffused with it: The space program was a really extraordinary thing, something to be proud of, and those who went into space were not just "heroes," which is a cliché, but brave and resourceful.
Those qualities were never demonstrated more dramatically than in the flight of the 13th Apollo mission in April 1970, when an oxygen tank exploded en route to the moon. The three astronauts on board - Jim Lovell, Fred Haise and Jack Swigert - were faced with the possibility of becoming marooned in space. Their oxygen could run out, they could be poisoned by carbon dioxide accumulations, or they could freeze to death. If somehow they were able to return to the Earth's atmosphere, they had to enter at precisely the right angle.
Too steep an entry, and they would be incinerated; too shallow, and they would skip off the top of the atmosphere like a stone on a pond, and fly off forever into space.
Ron Howard's film of this mission is directed with a single-mindedness and attention to detail that makes it riveting. He doesn't make the mistake of adding cornball little subplots to popularize the material; he knows he has a great story, and he tells it in a docudrama that feels like it was filmed on location in outer space.
So convincing are the details, indeed, that I went back to look at "For All Mankind," the great 1989 documentary directed by ex-astronaut Al Reinert, who co-wrote "Apollo 13." It was an uncanny experience, like looking at the origins of the current picture.
Countless details were exactly the same: the astronauts boarding the spacecraft, the lift-off, the inside of the cabin, the view from space, the chilling sight of their oxygen supply venting into space, even the little tape recorder floating in free-fall, playing country music.
All these images are from the documentary, all look almost exactly the same in the movie, and that is why Howard has been at pains to emphasize that every shot in "Apollo 13" is new. No documentary footage was used. The special effects - models, animation, shots where the actors were made weightless by floating inside a descending airplane - have re-created the experience exactly.
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